I Remember

– What is a bad memory, what is a good memory?

– What’s real in a memory and how can a memory affect your self-esteem?

– Maybe a memory is only one reconstruction of a memory?

Visual expression mixed in Peter Svenzon’s new performance I Remember.

Video and photo art has as much space as movement and dance, the visual meets newly written music and forms an artwork where your own memories can also take place.

I Remember is based on memories, fragments of memories and contraindicated memories that take shape in the bodies of the dancers. Memories of an accident and hospitalization in early childhood or memories of puberty. Everything gives your own colour, feel, motion and image. A scar is reminiscent of a memory – here’s my first knife, here’s my body remembering a hard bathroom edge.

Who are you if you lose your memory?

I Remember was created “In Residence” at Vara Concert house, who also co-produced the work, 2013. I REMEMBER is part of a suite of three different performances.The first was a site-specific performance called INGRESS and was created for FOTOGRAFISKA MUSEET in Stockholm. Premier 7 September, 2013. The third part of the suite is the work FRAGMENT. FRAGMENT was created in 2014 and premiered at the OuDance festival in Oulu, Finland 2014.

In 2014, the performance was awarded with the price; “Magic of the Year” by the Performing Arts Guide.

Peter Svenzons choreography is brave and strong, challenging and intimate. Dancers cells conveys power, yet the delicate and volatile that seem to embrace our memory.

I remember the photo, light, music and movement in bold balance. Memories told in a microphone and motion switches between collective and individual, surprising and precise. Rain falls, shadows playing across the walls and act last minute heats salon with a liberating laughter.

Entranced, I note that the Art of Spectra created a artwork, very hard to forget.

I REMEMBER – kulturbloggen.com 2014

-here there are no traditional gender roles. The women lift, throw and carry just like the men. And 

the men can soften in a hug. 

I REMEMBER – GP 2014

-there are no stereotypical gender roles presented here. Both women and men lift through and 

carry each other. 

I REMEMBER – Aspekt.nu 2014

Choreographer, direction and composer
Peter Svenzon

On stage
Ulriqa Fernqvist, Sofia Sosso Harryson, Joakim Envik Karlsson, Ville Oinonen and Adrian Ulrich Skjoldborg
On tour, Knut Vikström Precht and Zacharias Blad

Set design and costume
Nåck Creative

Light design
Ludde Falk, later version by Robert Jadenfelt

Visuals
Joakim Envik Karlsson, Josef Atlestam, Ludde Falk & Peter Svenzon

Text
Robert Bolin, Peter Svenzon and memories from dancers and others that contributed through our residencies.

Set construction
Hede Ateljé

Video documentation
Meritxell Aumedes Molinero, EyemotionaL

Photographer
Urban Jörén

Ludde Falk
Poster photo

Carl Thorborg
Press photo

Peter Claesson
Urban Jörén

Trailer 
Joakim Envik Karlsson, Josef Atlestam

Co-producer
Vara Concerthouse

Residencies
Vara Concerthouse

Other collaborating parties
Foxhound, EyemotionaL 

Supported by
Swedish Arts Council, Region Västra Götaland, Gothenburg Arts Council and the Swedish Arts Grants Committee. 

Facts
On stage | 5 dancers
On the road | 7 persons
Duration | 50 minutes

Stage​ requirements
​Minimum height | 5,5 m
Minimum width | 10 m
Minimum depth | 10m

Previous tours
Vara, Vara Conserthouse 
Göteborg, Folkteatern
Vänersborg, Vänersborg Kulturhus
Tampere, Dance Current – Contemporary dance festival (FI)
Borås, Regionteater Väst
Falkenberg, Falkhallen
Kungsbacka, Kungsbacka teater
Växjö, Regionsteatern Blekinge Kronoberg

I Remember

– What is a bad memory, what is a good memory?

– What’s real in a memory and how can a memory affect your self-esteem?

– Maybe a memory is only one reconstruction of a memory?

Visual expression mixed in Peter Svenzon’s new performance I Remember.

Video and photo art has as much space as movement and dance, the visual meets newly written music and forms an artwork where your own memories can also take place.

I Remember is based on memories, fragments of memories and contraindicated memories that take shape in the bodies of the dancers. Memories of an accident and hospitalization in early childhood or memories of puberty. Everything gives your own colour, feel, motion and image. A scar is reminiscent of a memory – here’s my first knife, here’s my body remembering a hard bathroom edge.

Who are you if you lose your memory?

I Remember was created “In Residence” at Vara Concert house, who also co-produced the work, 2013. I REMEMBER is part of a suite of three different performances.The first was a site-specific performance called INGRESS and was created for FOTOGRAFISKA MUSEET in Stockholm. Premier 7 September, 2013. The third part of the suite is the work FRAGMENT. FRAGMENT was created in 2014 and premiered at the OuDance festival in Oulu, Finland 2014.

In 2014, the performance was awarded with the price; “Magic of the Year” by the Performing Arts Guide.

Peter Svenzons choreography is brave and strong, challenging and intimate. Dancers cells conveys power, yet the delicate and volatile that seem to embrace our memory.

I remember the photo, light, music and movement in bold balance. Memories told in a microphone and motion switches between collective and individual, surprising and precise. Rain falls, shadows playing across the walls and act last minute heats salon with a liberating laughter.

Entranced, I note that the Art of Spectra created a artwork, very hard to forget.

I REMEMBER – kulturbloggen.com 2014

-here there are no traditional gender roles. The women lift, throw and carry just like the men. And 

the men can soften in a hug. 

I REMEMBER – GP 2014

-there are no stereotypical gender roles presented here. Both women and men lift through and 

carry each other. 

I REMEMBER – Aspekt.nu 2014

Choreographer, direction and composer
Peter Svenzon

On stage
Ulriqa Fernqvist, Sofia Sosso Harryson, Joakim Envik Karlsson, Ville Oinonen and Adrian Ulrich Skjoldborg
On tour, Knut Vikström Precht and Zacharias Blad

Set design and costume
Nåck Creative

Light design
Ludde Falk, later version by Robert Jadenfelt

Visuals
Joakim Envik Karlsson, Josef Atlestam, Ludde Falk & Peter Svenzon

Text
Robert Bolin, Peter Svenzon and memories from dancers and others that contributed through our residencies.

Set construction
Hede Ateljé

Video documentation
Meritxell Aumedes Molinero, EyemotionaL

Photographer
Urban Jörén

Ludde Falk
Poster photo

Carl Thorborg
Press photo

Peter Claesson
Urban Jörén

Trailer 
Joakim Envik Karlsson, Josef Atlestam

Co-producer
Vara Concerthouse

Residencies
Vara Concerthouse

Other collaborating parties
Foxhound, EyemotionaL 

Supported by
Swedish Arts Council, Region Västra Götaland, Gothenburg Arts Council and the Swedish Arts Grants Committee. 

Facts
On stage | 5 dancers
On the road | 7 persons
Duration | 50 minutes

Stage​ requirements
​Minimum height | 5,5 m
Minimum width | 10 m
Minimum depth | 10m

Previous tours
Vara, Vara Conserthouse 
Göteborg, Folkteatern
Vänersborg, Vänersborg Kulturhus
Tampere, Dance Current – Contemporary dance festival (FI)
Borås, Regionteater Väst
Falkenberg, Falkhallen
Kungsbacka, Kungsbacka teater
Växjö, Regionsteatern Blekinge Kronoberg

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